Daniel sent me a link to this article. It is amazing (and probably not true in many places). My favorite section:

So why did Fox kill Firefly so deliberately? Did they want to punish creator Joss Whedon for his “unexpected” successes with Buffy the Vampire Slayer and Angel? Demonstrate to him conclusively that it is not the few genuinely creative people in Hollywood who hold the real power in the industry, but the men and women who hold the purse strings?

Long ago I reached the conclusion that the medieval system of patronage, whatever its faults and drawbacks, was infinitely superior to the modern “market” system of “free-enterprise” for encouraging the creation of lasting works of literature and art. I put these in quotes because market economics is only a tool, and hence is only as good—or bad—as those who wield it. A society of intelligent, thoughtful individuals could, no doubt, produce the highest art ever known to man through a market economy. A society of lowest-common-denominator swine, sheep, slaves and mindless, pap-programmed robots could only, I submit to you, produce the kind of utter dreck that is foisted on gullible audiences today as “entertainment,” and for which the swine, sheep, slaves and robots are only too eager to pay, and, by so doing, to support its continuance.

Bear in mind that medieval society was likewise comprised of swine, sheep and slaves (they didn’t have the John Dewey-style system of “public education” in those days required to turn out the robots), so that the system of patronage actually could work; rich aristocrats who genuinely had an interest in the arts could selectively choose who to support and who not to with a taste and consideration which, clearly, the vaunted “common man” of any age is incapable.

But now this hints at another problem with Firefly, and which may have contributed to its undoing. This was an uncommon show, aimed at uncommon people….